David Walford
Missives from Guatemala
Episode 1    Episode 3      Episode 4

Tikal Temple
(click for enlargement)

Episode 2

Todos Santos: January 31, 2005

 

The warm sun rises over the hills.  Hills!  These are mountains.  Town in a crease between tumbling slopes cultivated to ridiculous heights. Borne of necessity, lifestyles adapt over generations to call it normal.  Yet changes are afoot, and lures beckon. 

The valley is swathed awhile in woodsmoke from morning fires. Rising sun generating currents of warmth, dispelling smoke and stiff cold of night. 

Everything here is uphill. Cobblestone streets.  Ancient, rough, uneven as the land.  Of course the buildings higgledy-piggledy.  We passed by the best place to eat in town a couple of times.  Jumbles of roofs.  Tin, tile angles jammed.  Café Comedora on the low side of the street.  I have to duck to enter.  Bunches of stuff piled in front.  Hunch down.  Into the kitchen.  Three women cluttered around a traditional wood stove, red light glowing from coals of wood.  Pots on top.  Steaming, boiling.  Beans/ vegetables.   Pans to fry in colour in the dark.  Smiles.  Conversation not a bit understood.  Smiles.  More smiles.  At least if smiles are what is required, we can be depended upon, and smiles are basic currency around here. 

Through the kitchen.  Rough tables.  A covered balcony looking over a steep drop.  How did it suddenly go so far down?  We have walked only about 5 metres from the road.  The land crashes.  Breakfast - beans, eggs or chicken.  Steamed vegetables. A cactus called wisqile,  rice. Or a meal at any other time of day.  The view: town and valley.

  

Sunday, 13 Feb 2005 13:42:59 (EST)

 Dear friends,

 Sun shines in the high mountains around the isolated Guatemalan village where we have been learning Spanish for two weeks. I yearn for the warmth of the sun in the early morning when the family I am staying with gets up.  It's high here. And cold. Not as high as Tibet or Bolivia, but at 2.2km and rising not shabby at all.        

 It's high enough to let me know that I am not in super shape when I climb hills, and everything here is on a hill.  Everything.  High enough to be cold.  Cold in the morning and indeed at night not long after the sun sets.  The thin smoke of woodfires drifts into the clear night sky, as people burn their uniquely styled cook stoves throughout the valley.  The smell of juniper is everywhere.  It burns well... slow... fragrant.  Junipers.  Giants here.  Thrusting 50 metres and more.  Up from steep slopes.  flashes of orange and red sprouting from high branches: bromiliads.  No northern boreal forest bonsai here.   

 I yearn for the warmth of that sun when I get up. I didn't expect the cold. It's six thirty and the family is stirring.     

 Time speeds by as my daughter Shola and I struggle with the world of a new language.  Ahh memory, where is my memory?  Spanish.  Necessary in this wonderful and deeply wounded land.  They say it is a simple language to learn.  Thank God.   

 In the mornings, with my host family in their one room mud brick home, it is the soft round gutteral sounds of Mam, the local Mayan language that I hear.  It seems oddly comfortable to one whose ears have heard Nisga'a and Haida. But Spanish is necessary, and so on our second day in the country, we found ourselves in the village of Todos Santos after an insane wonderful bus ride, up out of the northern capital of Huehuetenango, across the high altiplane, then carreening down more switchbacks than I've ever been on in my life. A valley of crashing hills that never seem too steep to be able to be cultivated.     

 Each of us is housed with a local family; Shola welcomed into one with lots of children and I with a poor even by local standards indigenous family.  A widow Eusebia and two daughters, Marcella aged 19 and josepha,16.  Not to be forgotten is grandson Rigoberto, aged nine.  We have come to know each other despite the lack of language.  Through a good deal of nodding, smiling and laughing we have forged bonds which can only be understood in the present tense: warmth, an open window to the sun, quiet, laughter filled, with common rhythms.   

 As we sit in the one roomed earth brick house with a dirt floor which the family has lived in all their lives, we reach toward the heat of the small fire of the flatish cook "stove".  It is morning.  Cold. Fingers cold.  The roosters have been crowing in the valley for far too long.  Choruses of dogs barking and howling rising wildly and falling.  Sometimes they can be heard at a distance, and I wonder how long before the instinct to respond hits the three dogs outside our door. 

 Ahhh yes, the house.  Small. and don't think level dirt floor.  It too is sloped with a big hump in the middle, as if with an odd grace purposely reflecting the topopgraphy. Somehow strangely appropriate. It is dark inside as the window is only one foot square.  Clear mountain light coming in.  Steam from the kettle with sweetened coffee in it rising  showing itself against the dark walls.  Smoke too rising from the fire as we gather round while one of the girls makes tortillas.  Slap slap slap between practised hands, formed, flattened, edges  appropriately round:  then onto the metal surface of the cookstove. Along with the broth of vegetables and potatoes, or sometimes huevos (eggs) and vegetables, the everpresent black beans, and what they call bread (pan) bought from the bakery although it is really cake; sweet and not a bit of yeast involved- to dip into the coffee.    

 So breakfast is sipped and eaten, baby chicks scouring the floor for droppings and all things are just dropped on the floor.  If the chicks don't get it the dogs certainly will.  By the time the meal is eaten the waste is also in some stomach or other.  There is no waste.  Scraps from preparation of course go to the pig.   

 A wondrous sense of being in a holy place, repeated a million times across the globe.   Heart, hearth, home. Those universal words.   Gathered in the cold.   Eating tortillas and drinking hot broth, steam rising in   the dark room caught by a window's light.  Morning radio  with local announcer.  The language mostly Mam with occasional Spanish phrases crackling in the background. Tinny marimba music following.  Always the tinny marimba music.

 Breakfast in my host family.  Laughter.  Flowing soft guttural language.  Smiles in the dark.  A sense of warmth in things shared.  Being together. Joy at having a guest.  Not a small dose of respect. And then we are off.  Off into the cold morning.  The house of my host family does not get the early morning sun as it is in the lee of a small steep hill right on the edge of the densely settled part of town.      

 All is well with us.  We are soon to leave Todos Santos  (All Saints)...and what an appropriate name it is. With  a gentle spirit and I do mean a gentle spirit, these shy determined people of this isolated village and the crashing hills of the valley in which it is set are at one and the same time working land that one would doubt could be even attempted so steep it is nevermind made so productive that broccoli fields below mean produce is exported to Europe and North America.    

 I must go now.  A thousand vignettes remain.  Some will get to you I promise.  Soon.  as more gather.  Windows into a world.  Thank you for your journey with me fair friends.  Hope to see you soon.    
 

love David (elfnomad)
elfnomad@yahoo.ca

 

Missives from Guatemala
Episode 1    Episode 3      Episode 4

artwork by Jose Fernando Pinzon

 

 

 


editor's note:

David Walford is from Smithers - a town in Northern British Columbia, Canada. He is an ordained Anglican priest currently on leave.

This is the first in a series of "missives" that follow David's recent journey into the heart of Guatamala's mountain region, where he travelled with his daughter Shoala. Together they steeped themselves in the wonders of the culture.

These ongoing accounts are the first stages of what will be David's first book. David is presently on a second excursion, sponsoring artist Jose Fernando Pinzon to the World Development Forum in Caracas, Venuzuala.


 

Missives from Guatemala
Episode 1
   Episode 3      Episode 4

 

 

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artwork of
Jose Fernando Pinzon

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